Thursday, September 29, 2016

092416 Caldas de Reis to Padrón (Dodro)


This post is based primarily on Don's notes, occasionally supplemented with MT's notes from our Camino in 2016. When information from other sources is added—for further explanation to readers or to satisfy our own curiosity—that is set off in a text box (as this one).
Most of the photos that accompany this post are from Don’s camera (with a caption indicating the time it was taken); those from MT’s iPhone are indicated by “MT” placed at the beginning of the photo caption. Photos from any other source (such as the public domain Wikimedia Commons) indicate that source in the caption.


We woke at 6 am and went to breakfast in Hotel O Cruceiro at 7 am, but they were late getting the (continental) buffet set up.

We departed at 8 am, still in the dark.


‎Saturday, ‎September ‎24, ‎2016, 8:14 AM – Caldas de Reis: small, mixed hórreo across street from Hotel O Cruceiro (mild telephoto 81 mm).

We went to the Calle Real to pick up the Camino route but saw no arrows or scallop shell markers until, following Brierley directions, we turned left (merged) onto the N-550 highway and the first Camino signs indicated to turn off the highway to the right, down onto a path by the Río Bermaña river.


MT ‎8:15 AM – Caldas de Reis: pink clouds near sunrise on path by Río Bermaña near viaduct.



MT ‎8:20 AM – Caldas de Reis: sunrise on path by Río Bermaña near viaduct.



8:18 AM – After Caldas de Reis: Camino marker post P.K. 40.893.



8:25 AM – After Caldas de Reis: long, old-looking stone hórreo (sides looked like wood but were concrete with narrow vertical vents) with metal door in side and pinnacle and cross finals on roof, in light fog (mild telephoto 49 mm).



8:25 AM – After Caldas de Reis: date on gable of that old-looking stone hórreo seems to read “1976” (telephoto 156 mm).



8:29 AM – After Caldas de Reis: path through woods.

Half of this stage would be on natural paths through mature woodlands. Otherwise, most of the route was on quiet country roads. There were only two short stretches on the main road (highway N-550), first when leaving Caldas de Reis and later when entering Padrón. However, the Camino route follows the axis of the N-550 all the way to Padrón.

Soon, we came to the village of Cruceiro.

Cruceiro or O Cruceiro is a village in the parish of Carracedo in the municipality of Caldas de Reis in the province of Pontevedra. (Strangely enough, there is a town called Cruceiro de Carracedo in the province of A Coruña, much farther north in Galicia.)
Santa Mariña de Carracedo or just Carracedo is a parish (pop. 799) in the municipality of Caldas de Reis, located to the north of the city of Caldas de Reis. Villages in this parish include O Cruceiro, O Campo, and Casalderrique, through which the Camino route would pass.
Santa Mariña de Aguas Santas (St. Marina of the Holy Waters) was a martyr, probably legendary, venerated as a saint by the Catholic Church. Her biography mixes legend and facts that could be real. According to tradition, she was born around 119 AD, the daughter of the Roman governor of Galicia and Lusitania. One of twins, she was born while her father was out on a campaign. Her mother feared being accused of infidelity (it was thought that multiple births were due to the concupiscence [abnormally strong sexual desires] of women) and gave the child to her maid Sila to drown in the river. However, Sila, who was a Christian, did not want to kill them. She had them baptized, and they grew up as Christians at a time when that religion was still persecuted. Eventually, the governor learned that they were his children and invited them to renounce Christianity and come to live with him in luxury. When they refused, they were condemned and had to flee. Mariña was beheaded in 139 in the village now called Aguas Santas (Holy Waters) because, where her severed head hit the ground, three springs of water flowed forth. Images of this saint show her with a palm branch (symbol of martyrdom) in one hand and sometimes with a cross with a pennant in the other.


9:18 AM – Cruceiro: cruceiro by vineyard – side with Crucified Christ at top (mild telephoto 49 mm).



9:18 AM (Cropped) – Cruceiro: cruceiro by vineyard – base of side with Crucified Christ at top; relief on base shows Christ being taken down from cross.



9:18 AM – Cruceiro: cruceiro by vineyard – other side with unidentified figure (probably Santa Mariña with a palm branch) at top and two smaller figures on shaft, backlit in morning sun with light fog, with utility pole in background (mild telephoto 49 mm).



9:19 AM – Cruceiro: base of that cruceiro (with relief on nailing Christ to cross) with house and hórreo in fog in background (mild telephoto 49 mm).



9:19 AM – Cruceiro: that hórreo with sides that look like wood slats but are actually concrete with narrow vertical vents, and cross and pinnacle finials on roof, in fog (telephoto 105 mm).



9:19 AM – Cruceiro: sign for “Pilgrims” – in 30 meters sello for the credencial [at] Café-Bar Esperón, with WiFi; small sign below it for village of O Cruceiro.

We stopped for sellos at Café-Bar Esperón and met our Spanish friend from Pontevedra, who had rejoined us here after stopping at home.


9:26 AM – Cruceiro: Café-Bar Esperón – MT and our Spanish friend from Pontevedra.




Cruceiro: sello from Café-Bar Esperón, for “Santa Mariña de Carracedo – Caldas de Reyes – Sellos del Peregrino” with scallop shell, female saint (probably Mariña with a palm branch. Symbol of a martyr), the cruceiro.

The web site www.lossellosdelcamino.com shows a different sello for “Café-Bar Esperón – Santa Mariña de Carracedo – Caldas de Reyes – Sellos del Peregrino” with only the scallop shell pictured.


9:20 AM – Cruceiro: two mixed or stone hórreos (again, sides looked like wood but may actually be concrete with narrow vertical vents, one on right painted to look like wood?), one with no finials on roof and other with pinnacle and cross finials, on narrow road with vineyards.



9:27 AM – Cruceiro: mixed or stone hórreo on narrow road with vineyards (again, sides looked like wood but may actually be concrete with narrow vertical vents, this one on right painted to look like wood?), and with pinnacle and cross finials; the other hórreo farther down on left has no finials on roof and sides look more like concrete.



9:27 AM – Cruceiro: that second mixed or stone hórreo with no finials on roof and sides look more like concrete with narrow vertical vents.



9:27 AM – Cruceiro: other end of that second mixed or stone hórreo with no finials on roof and sides look more like concrete with narrow vertical vents; this one had a metal rail on steps leading up to door on this wide, concrete end.



9:28 AM – Cruceiro: another, mixed hórreo with no finials on roof and sides look like actual wood slats; this one also had a metal rail on steps leading up to door on this end (mild telephoto 56 mm).



9:29 AM – Cruceiro: pumpkins.



9:30 AM – Cruceiro: side view of another, stone hórreo with pinnacle and cross finials on roof and sides look like concrete with narrow vertical vents, by another vineyard.



9:31 AM – Cruceiro: side and end view of that stone hórreo with pinnacle and cross finials on roof and sides look like concrete with narrow vertical vents, and with wooden door on concrete end (telephoto 119 mm).



9:31 AM – Cruceiro: side and end view of another, painted stone hórreo with pinnacle finial on roof and sides that look like concrete with narrow vertical vents.



9:31 AM – Cruceiro: another stone hórreo with no finials on roof and sides that look like concrete with narrow vertical vents (telephoto 93 mm).



9:32 AM – Cruceiro: Igreja de Santa Mariña, from distance (mild telephoto 72 mm).

The Igreja de Santa Mariña de Carracedo (Church of St. Mariña of Carracedo) is located in the parish of Carracedo. In remote times, there were many pilgrims who walked the Camino Portugués and saw this church as a place to rest and pray. The origins of the church are uncertain, although there are foundations of what could have been a Romanesque church linked to the pilgrims.
Today, the church has a sober façade with a semicircular arch over the door, above which a triangular pediment shelters the image of Santa Mariña. A large Baroque tower with two sections adorns the left side of the façade. In the great atrium, there is a small rectory house next to a cruceiro there the cross at the top is missing. Next to the church complex are the ruins of what used to be a large rectory house that preserves the remains of a large hórreo belonging to the clergy.


9:32 AM – Cruceiro: Camino marker post P.K. 36.419, near Igreja de Santa Mariña.



9:33 AM – Cruceiro: Igreja de Santa Mariña – bell tower and façade, closer up.




‎Cruceiro: Igreja de Santa Mariña – bell tower and façade (commons.wikimedia.org).



9:33 AM – Cruceiro: Igreja de Santa Mariña – image of Santa Mariña on triangular pediment above door in façade (telephoto 187 mm).



9:34 AM – Cruceiro: bulletin board near Igreja de Santa Mariña, of C.M.V.M.C. Carracedo (apparently a bank), with notices posted.



9:34 AM (Cropped) – Cruceiro: notices on bulletin board near Igreja de Santa Mariña, including a bando (proclamation) of a “Programa Integrado de Emprego ‘Mais Emprego 2016’” (Integrated Program of Employment “The Best Employment 2016”) to be implemented by the municipality of Cuntis together with that of Caldas de Reis in order to train young people for the labor market, signed by the Mayor of Caldas de Reis on September 9, 2016 with the seal of the Alcaldía (municipal headquarters/mayor’s office) of the Concello de Caldas de Reis (the coat of arms and name of Concello de Caldas de Reis also appear at the top of the page); at right, there are also a death notice and a notice of the first anniversary of another death. “D.E.P.” is the abbreviation for descance en paz (rest in peace, RIP).

Cuntis is a municipality in the northwest of the province of Pontevedra. It is located 27 km north of the provincial capital and is part of the comarca (district) of Caldas. It borders the municipality of Caldas de Reis to the west. The web site of Concello de Cuntis has a copy of the same proclamation, but signed by the Mayor of Cuntis and with the seal and coat of arms of that municipality.
Caldas is a comarca in the province of Pontevedra. This comarca includes the municipalities of Caldas de Reis, Catoira, Cuntis, Moraña, Pontecesures, Portas, and Valga. (See Appendix C for explanation of comarca.)

Soon, we came to the village of Campo.


9:34 AM – Campo: sign for entering village.

Campo or O Campo is a village in the parish of Santa Mariña de Carracedo in the municipality of Caldas de Reis.


9:35 AM – Campo: cruceiro – side with Virgin and Child at top and unidentified figures on shaft, backlit.



9:35 AM – Campo: cruceiro – other side with Crucified Christ at top.



9:39 AM – Campo: view, across cornfield, of mixed hórreo with cross and pinnacle finials on roof and open door on side, but with no third gable above that door (telephoto 156 mm).



9:41 AM – Campo: another, mixed hórreo with pinnacle finial on roof and horizontal vents on this stone end.



9:41 AM – Campo: side and other end of same mixed hórreo with [cross] and pinnacle finials on roof and horizontal vents on end with fancy arch over door (mild telephoto 56 mm).



9:42 AM – Campo: another, mixed hórreo with cross and pinnacle finials on roof and supported on transverse walls rather than pillars (telephoto 156 mm).



9:42 AM – Campo: MT and two German ladies from Berlin that we walked with and MT talked with them, particularly the red-haired one, for a long time (telephoto 119 mm).



9:50 AM – After Campo: road sign, by vineyard, pointing to Gorgullón, where we did not go.



9:51 AM – After Campo: road sign pointing to Casalderrique, where we were going (telephoto 105 mm).



9:51 AM – Casalderrique: sign for entering town.



10:10 AM – After Casalderrique: gravel path along highway N-550, on which we walked for a long time.



MT ‎10:51 AM – After Casalderrique: MT with two German ladies on wooded path.

Next, we came to the village of San Miguel de Valga. (We had actually been in the parish and municipality of Valga for some time, as the Camino route paralleled the Río Valga.)


10:56 AM – Near San Miguel de Valga: MT talking with man from Protección Civil (Civil Defense) of the Concello de Valga, who offered us, the two German ladies, and a Lithuanian couple sellos and recorded our credenciales in his notebook.




Near San Miguel de Valga: Sello from “Protección Civil - Concello de Valga.

San Miguel de Valga is a village (pop. 50) in the parish of Valga (San Miguel) in the concello (municipality) of Valga (pop. 5,986) in the province of Pontevedra and belonging to the comarca de Caldas.
The municipality of Valga and parish (pop. 1,145), the full name of which is San Miguel de Valga, take their name from the Río Valga, which runs through this area from south to north, parallel to highway N-550 and the Camino route, and/or from the town of Valga, off the Camino route on N-550 west of San Miguel.


10:56 AM – Near San Miguel de Valga: Camino marker post P.K. 30.546.



11:07 AM – San Miguel de Valga: Autoservicio San Miguel, which included a café-bar with sign offering bocadillos (sandwiches) in Spanish, English, and German.



MT 11:18 AM – After San Miguel de Valga: Don and white pumpkin.



MT ‎11:19 AM – After San Miguel de Valga: white pumpkin, with sign for “Agua non potable” (water not drinkable).



11:21 AM – After San Miguel de Valga: very wide, mixed hórreo with pinnacle and cross finials on roof (mild telephoto 72 mm).



11:23 AM – After San Miguel de Valga: another mixed hórreo with no finials on roof and transverse walls for support, by cornfield.



11:25 AM – Cedelo: Camino marker post P.K. 28.828 (with scallop shell and arrow pointing left), sign for Fontenlo in parish of Valga in Concello de Valga (pointing right), and sign for entering Cedelo in parish of Valga in Concello de Valga (apparently on the road at the right).

Fontenlo (pop. 46) and Cedelo (pop. 36) are lugares (villages) in the paroquia (civil parish) of Valga in the Concello de Valga in the province of Pontevedra and in the comarca de Caldas.


11:25 AM – Cedelo: Camino marker post P.K. 28.828 (with scallop shell and arrow pointing left).



11:36 AM – After Cedelo: cobblestone path leading to granite slab pavement – brief.

Then we entered the municipality of Pontecesures.


11:46 AM – After Cedelo: bus stop with “Concello de Pontecesures.”

Pontecesures (in Galego and officially since 1983) or Puentecesures (in Spanish) is a concello (municipality, pop. 3,037) belonging to the comarca (region) of Caldas. It is located in the north of the province of Pontevedra. Until the 18th century, Puentecesures and Padrón formed a unit before the provincial reorganization used rivers as political boundaries and they were separated into different provinces, with Puentecesures becoming dependent on Valga. Until 1926, it was integrated as a parish within the municipality of Valga. The Camino route passes through the town of Pontecesures from south to north. The town developed from the construction of a Roman bridge called Ponte Caesaris (Bridge of Caesar) in Latin, over the Río Ulla, which flows east to west through it. In the past, its port was of great importance, since the Ulla was navigable to here.
The coat of arms of the Concello de Pontecesures, on a blue shield features a gold bridge defended by a tower over the silver and blue waves of river. Over the shield is a royal crown.


Coat of Arms of Concello de Pontecesures (commons.wikimedia.org).



11:46 AM – After Cedelo: view, across vineyard, of mixed hórreo with only stubs of finials on roof (telephoto 156 mm).

Eventually, we entered the town of Pontecesures, where we stopped at Café Bar Casa Chaves, where MT used the baño. The cook took our picture, behind pilgrim cutouts, with Don’s camera and MT’s iPhone and also one of her own.


12:04 PM – Pontecesures: Café Bar Casa Chaves – Don and MT behind pilgrim cutouts in bar; the cook took our picture with Don’s camera and MT’s iPhone and also one of her own.

Shortly after that, we came to the village of Infesta.


12:08 PM – Infesta: sign entering Infesta, with coat of arms of Concello de Pontecesures (mild telephoto 72 mm).

Infesta is a village (pop. 306) in the parish of Pontecesures, in the municipality of Pontecesures, in the comarca (region) of Caldas. Infesta is the capital of the municipality of Pontecesures.


12:09 PM – Infesta: end of hórreo with pinnacle finial on roof and horizontal vents in concrete end (telephoto 105 mm).



12:09 PM – Infesta: same hórreo with pinnacle and cross finials on roof, horizontal vents in concrete end and supported on transverse walls, this side view revealing that the hórreo was missing its sides and door (probably were wood) and its roof; MT and other pilgrims passing it on right (telephoto 105 mm).



12:18 PM – After Infesta: another, mixed hórreo with pinnacle finial on roof and supported on transverse walls; the church tower in the right background would be the 12th–century Romanesque Igrexa de San Xulián de Requeixo in the village of San Xulián.

Next we came to the village of San Xulián and its Igrexa de San Xulián de Requeixo.

San Xulián is a village (pop. 657) in the parish of Pontecesures, in the municipality of Pontecesures, in the province of Pontevedra, and in the comarca (region) of Caldas.
The Igrexa de San Xulián de Requeixo (Church of St. Julian of Requeixo) is of Romanesque origin. In the 12th century, it was ordered by Bishop Xelmírez of Santiago de Compostela to be built over the site of an old Celtic castro (hill fortress). When the church was being renovated in 1918, archaeologists found that at this site there had been an altar to Jupiter, another to the Lares, and two others that were illegible. The Romanesque church has a single nave with no apse.


San Xulián: Igrexa de San Xulián de Requeixo – view, from distance, of west façade and bell tower, surrounded by cemetery (commons.wikimedia.org).

A large part of the original Romanesque church is preserved, although it has clearly undergone many reforms. On the exterior, the southern wall of the nave preserves some interesting parts of the Romanesque construction. This façade has three windows, although only the central one is original. The easternmost window (small and rectangular and under a large arch of unknown function) is apparently of modern construction, and the westernmost is possibly from an earlier reform. The main (west) façade is not original, with apparent modifications. Above its center door with a half-pointed arch is a small oculus (round window). At the vertex of the façade is a niche with the image of San Xulián. Crowning the vertex is a simple stone cross. The north corner of this façade is topped by a pinnacle with a ball, and on the south side of the façade is a robust quadrangular bell tower.


San Xulián: Igrexa de San Xulián de Requeixo – view across cemetery of bell tower, south side, and east end (without apse) (commons.wikimedia.org).



Next to the Igrexa de San Xulián de Requeixo in the village of San Xulián was the Cruceiro de San Lázaro.


12:20 PM – San Xulián: sign on wall for “Cruceiro de San Lázaro S. XIV” (Cross of St. Lazarus 14th Century) with text in Galego, Castilian Spanish, and English; English text [edited per Galego and Spanish]:
“Stone crosses [Os cruceiros/Los cruceiros], which were traditionally located at crossroads or junctions and in churchyards, have a specific symbolism that is visually expressed through their decoration.
“This stone cross (14th C.) was originally part of a Leper Hospital or Lazar House of, San Xulián [Leprosería ou Malatería dos lacerados de San Xulián]. It was dedicated to St. Lazarus, and is therefore also known as the Cruceiro de la Obra Pía de San Lázaro (The Stone Cross of the Charitable Work of St. Lazarus).
“DESCRIPTION [keyed to callouts on drawings at right]
“(1) Latin cross: square cross-section, becoming octagonal
            (1a) Obverse [front side]: Christ on the cross with 3 nails and loincloth, in Gothic style.
            (1b) Reverse: Our Lady of Piety [Virgin of Piety, i.e., pieta].
(2) Decorated capital: on inverted pyramid
(3) Shaft: square at the base, becoming octagonal.
            (3a) St. Lazarus
(3b) Person in a praying position (probably a sick person)
(3c) Elements from the Passion of Christ: ladder, crown of thorns, etc.”
At the lower left are the coat of arms and name of “Concello de Pontecesures.”



12:20 PM – San Xulián: Cruceiro de San Lázaro – front side with Crucified Christ at top (see next photo and English text above for identification of certain parts).



12:20 PM (Cropped) – San Xulián: drawings on sign for “Cruceiro de San Lázaro S. XIV” with callouts described in text of sign (see English version above).




12:20 PM – San Xulián: Cruceiro de San Lázaro – back side with pieta at top (see photo and English text above for identification of certain parts); the sign is at right, and the cemetery of San Xulián is in the background.

The Cruceiro de San Lázaro (Cross of St. Lazarus) is formally known as the Cruceiro de Obra Pía de San Lázaro (Cross of the Charitable Work of St. Lazarus). It is on a quadrangular platform of two steps and a quadrangular pedestal with a great chamfer (bevel). The bottom part of the shaft is quadrangular and the top part octagonal. It has different figures like that of St. Lazarus, a person in an attitude of prayer (possibly a sick person), and the elements of the Passion: ladder, crown of thorns, a hand, a hammer, and pincers. It has an inverted truncated pyramidal capital ornamented with four angels, one on each side, and schematic scrolls. Its cross is quadrangular with chamfered (beveled) arms, presenting on its front side the Crucified Christ with three nails and open hands. His head is tilted to the right with a crown of thorns, and there is a parchment above it with the abbreviation INRI. His loincloth is tied with a rope. On the back side of the cross is the Virgin of Mercy/Piety (pieta) with Christ in her arms. The cruceiro is entirely of granite in a good state of preservation in spite of missing a little bit of the right arm of the cross on the back side.
The 14th-century cruceiro was part of the complex of the Leprosería or Hospital of the Lepers of San Xulián, The piece was made under the dedication to St. Lazarus. At the beginning of April 2008, the cruceiro was relocated to its current place because of the risk of being at the side of the N-550 highway and that it could be destroyed by an accident of any vehicle. The Comisión Territorial do Patrimonio Histórico (Territorial Commission of Historical Heritage) had authorized the transfer of this monument to a new emplacement that is at the entrance to the cemetery of San Xulián, very near to the 12th-century Romanesque church. It seems that it had gone through several emplacements until, coinciding with the Holy Year of 1964, it was placed at the edge of the N-550. Now, it is at least safe from accidents and closer to its original location.


12:31 PM – After San Xulián: Camino marker post P.K. 25.018. vineyard in the background.

Toward the end of this stage, we would leave the province of Pontevedra and enter the province of A Coruña when crossing the bridge over the Río Ulla in Pontecesures.

Finally, we came to the parish and municipality of Dodro, our destination for the day, and began to look for Hotel Pazo de Lestrove.

Dodro is a town in the parish of Dodro (Santa María) in the municipality (pop. 3,162) of Dodro on the southern limits of the province of A Coruña in the Autonomous Community of Galicia and belonging to the comarca (region) of Sar. The municipality is located along the lower reaches and at the mouth of the Río Ulla. It borders to the east the municipality of Padrón and to the south with the Río Ulla, which separates it from the municipality of Valga, still in the province of Pontevedra.


Coat of Arms of the Municipality of Dodro (commons.wikimedia.org).

The coat of arms on the municipality of Dodro has a shield of gold and on waves of blue and silver (representing the Ulla), a fruited pine in its normal colors. Around the shield is a red border with eight golden scallop shells. Above the shield is a royal crown.

The address on our lodging voucher (O Pi[ñó]n, s/n, 15891 Dodro, 15891, Dodro, Spain) led us to believe that the Hotel Pazo de Lestrove was in a town called Dodro. However, the Tourism website of the Government of Galicia at www.turismo.gal lists the location of the hotel as in the village of Lestrobe in the parish of Dodro (Santa María). We found it in a rural part of the municipality of Dodro that didn’t seem to be within the built-up area of the village of Lestrove, which lies farther southwest.

Lestrove or Lestrobe (pop. 641) is an aldea (village) in the parish of Dodro (Santa María) in the municipality of Dodro. (A Google map shows the name of the village as Lestrobe, although streets in and near it are Called Aldea Lestrove.). Documents of the 9th century contain the oldest references to the villa (village) of Lestrobe, and they mention the parish of Santa María de Dodro. It is also indicated that the village belonged to the parish of Santiago de Padrón before the parish of Santa María de Dodro became independent of that parish.

As we came into the outskirts of the town of Padrón, the Camino route ran along the east bank of the Río Sar, which flows into the Río Ulla. The directions on our lodging voucher said: “Cross the pedestrian bridge in front of the Campo da Feira [fairgrounds].” We actually found the footbridge across from a street named “Rúa Travesia Campo da Feira” (just Campo da Feira on our voucher map) before reaching the actual fairgrounds. Next, the directions said: “Head south on Village Lestrove.” The problem was that ALL the streets on that side of the river were called “Aldea [Village] Lestrove” on the voucher map. Next, the directions said: “Turn left onto Rua Padr?n [sic!] Riveira Continue along Rua Fortunato Cruces. Arrive when you reach Rua Fortunato Cruces, 22.” Fortunately, Don had studied these confusing directions before starting our trip and had marked on the voucher map the correct combination of “Aldea Lestrove” streets to take in order to reach Rúa Padrón Riveira and follow the rest of the directions to our hotel, although Google maps showed its address as “R. Fortunato Cruces 1.” The brochure we received at the hotel gave its address as “Rúa O Piñón s/n [without number] 15916, Dodro. (a 200m de Padrón [200 m from Padrón]). However, the sello we would get at the hotel said: “Pousadas de Compostela S.L. - Hotel Monumento Pazo de Lestrove, Rúa O Piñón s/n – 15916 Lestrove - Dodro.” There seemed to be some confusion about whether the hotel was in a town called Dodro or in the village of Lestrove in the parish of Dodro.

We arrived at Hotel Pazo de Lestrove around 1 pm.


12:56 PM – Dodro: Hotel Pazo de Lestrove – courtyard with fountain, with statue of Santiago Peregrino on top, and hotel.

The Hotel Pazo de Lestrove, also known as Hotel Monumento Pazo de Lestrove, is an ancient country pazo (palace or manor) that was the leisure place of the Bishops of Santiago de Compostela. It was built in the 16th century, although it underwent later reforms. (The hotel’s brochure shows it as part of the Hotel Monumento chain, although it shows www.pousadasdecompostela.com for making reservations, and www.booking.com says “Hotel chain: Pousadas de Compostela.” The hotel’s sello included both: “Pousadas de Compostela S.L. - Hotel Monumento Pazo de Lestrove.”) The grounds have 50,000 square meters of forests and gardens. It has become a favorite place for holding large events, ceremonies (weddings, baptisms, or first communions) and business meetings.


12:56 PM – Dodro: Hotel Pazo de Lestrove – fountain, with statue of Santiago Peregrino on top, and hotel.



12:57 PM – Dodro: Hotel Pazo de Lestrove – entrance to Capilla del Santo Ángel de la Guarda to left of hotel entrance.

The Capilla del Santo Ángel de la Guarda (Chapel of the Holy Angel of the Guard [or of the Holy Guardian Angel]) is used for religious celebrations (weddings, first communions, and baptisms). Internet sources say that inside is an impressive life-size carving of La Dolorosa (Lady of Sorrows). A priest we met later in the chapel identified this statue as “Nosa Señora dos Aflixidos” (Our Lady of the Afflicted).


3:52 PM – Dodro: Hotel Pazo de Lestrove – sign for “Capilla del Santo Ángel de la Guarda” to right of chapel entrance; cross above it with inscription: “Santa Misión - P.P. Claretianos - 24 X 57” (Holy Mission - Claretian Fathers - 24 October 57).

The Congregación de los Misioneros Hijos del Inmaculado Corazón de María (Congregation of the Missionaries Sons of the Immaculate Heart of Mary), popularly known as Claretianos or Misioneros Claretianos (Claretian Missionaries) was founded by St. Antonio Maria Claret in 1849 in the municipality of Vich in the province of Barcelona, Spain (although their headquarters is now in Rome). These Catholic missionaries may be brothers (lay religious), deacons, or priests. Today they are present in more than 60 countries. The abbreviation “P.P” (or PP) may stand for “Padres” (priests or fathers), versus just “P” for “Padre” before the name of one priest or father). At the top of the cross is the symbol for the Immaculate Heart of Mary: a burning heart, pierced by a sword and banded with roses or another flower (although this one looked like thorns without the roses).

Our room (No. 102) was not quite ready and MT asked some questions about our room, because there was no airconditioning and it was near the road. So the desk clerk offered us something to drink while we were waiting. Don first said water, but then MT asked for vino tinto (red wine) and the clerk took us into the bar for two glasses of wine with a bowl of (salted) peanuts.

We got sellos at the hotel.


Dodro: sello for “Pousadas de Compostela S.L., C.I.F. [Certificado de Identificación Fiscal = tax identification certificate or VAT (Value Added Tax) number, for companies]: B-15 610 140, Hotel Monumento Pazo de Lestrove, Rúa P Piñón s/n [without number] – 15916 Lestrove - Dodro.”




1:01 PM – Dodro: Hotel Pazo de Lestrove – menú cena/dinner menu for hotel comedor/restaurant, showing that dinner would not be served until 8 pm.

To tide us over until 8 pm dinner time, we ate the cookies and cupcake/muffins we had saved from breakfast and fruit from sometime back. We took showers and washed a few clothes.

At 2:15, Don went out to explore the place. First, he looked around our (1st, US 2nd) floor a bit.


2:21 PM – Dodro: Hotel Pazo de Lestrove – sitting room on our (1st, US 2nd) floor.



‎Dodro: Hotel Pazo de Lestrove – breakfast room beyond glass half-wall at end of this corridor on our floor (Scanned from Hotel Brochure; the letters at right are part of the word “pierdete”  - lose yourself).



2:21 PM – Dodro: Hotel Pazo de Lestrove – breakfast room from balcony on our floor.



2:22 PM – Dodro: Hotel Pazo de Lestrove – another sitting room on our floor.



2:25 PM – Dodro: Hotel Pazo de Lestrove – view of part of the 50,000 square meter garden, with stone wall around it.

Around 2:30, Don went back over the river to Padrón. (As the afternoon went on, the sky became increasingly overcast, affecting the quality of photos.)

Padrón is a town (pop. over 8,000) in the municipality (pop. 8,968) in the province of A Coruña in the autonomous community of Galicia and within the comarca (region) of O Sar. The municipality is divided into 5 parishes, including (Santiago de) Padrón and (Santa María de) Iria Flavia. The town of Padrón is 20 km south of Santiago de Compostela.
Iria Flavia was a Celtic settlement, located at the confluence of the rivers Sar and Ulla. It was a port city and the main seat of the Celtic Capori tribe. When the Romans made it a crossroads on the Via Romana XVIII, they refounded the Celtic port as Iria Flavia, as a compliment to the Roman emperor Vespasian (full name in Latin Titus Flavius Vespasianus). Iria Flavia was the episcopal see during the Middle Ages, until Alfonso II of Asturias (c. 760-842) it moved to Compostela after the discovery of the tomb of Santiago. Even then, Padrón became the starting point for pilgrims arriving by sea to visit the tomb of the Apostle, as well as the beginning of the last stage of a pilgrimage to Santiago from the south in Spain or Portugal. When “Padrón” became the more popular name for the city, the name “Iria Flavia” was consigned to a small hamlet (and the current parish around it).
According to tradition, it was in Iria Flavia that the Apostle St. James (Santiago) first preached during his stay in Hispania. Soon after his execution by beheading around 44 AD, his disciples Teodoro and Atanasio (Theodore and Athanasius) brought his (severed) head and his body to Iria from Jerusalem in a stone boat. (Some sources question this and suggest that this barco de piedra [boat of stone] referred to a boat or ship that traded in stones.) They moored the boat to a pedrón (Galego for big stone), hence the new name given to the place. After burying the Apostle in Compostela, the two disciples remained in Iria Flavia (now Padrón) to preach, and the legendary pedrón is now in the parish church of Santiago de Padrón. However, the focus of attention gradually moved to nearby Santiago de Compostela, now the capital of Galicia.


Coat of arms of Municipality of Padrón (commons.wikimedia.org).

The coat of arms of the municipality of Padrón has a light blue shield picturing the body of Santiago and his two disciples in a gold boat with a while sail, moored to the pedrón. Below the boat are blue and white waves, and above it is the cross of Santiago under a star flanked by two scallop shells. Over the shield is a royal crown.

From the other (east) side of the Río Sar, after crossing back over the pedestrian bridge, the Travesía Feira street led along the river, past the fairgrounds/marketplace, and into the long, tree-lined Paseo de Espolón promenade that led to the old town center. From the promenade, he could see the Convento do Carme on the other (west) side of the river.


2:32 PM – Padrón: view, from Paseo de Espolón, of Convento do Carme (telephoto 187 mm).



2:37 PM – Padrón: view, from Paseo de Espolón, of Convento do Carme (left) and Ponte do Carme (or Ponte de Santiago) bridge over Río Sar.

The Ponte do Carme (Bridge of Carmel), sometimes called Ponte de Santiago, over the Río Sar, is dated from 1852. It replaced another bridge that had been devastated by a flood of the river in 1846. Constructed of ashlar masonry, it has a length of about 65 meters, consisting of three arches, supported by thick pillars, through which the waters of the Sar pass. It connects the old town center of Padrón with the A Trabanca area, where the Convento do Carme and Fonte do Carme are found.
http://galiciapuebloapueblo.blogspot.com/2017/03/ponte-de-santiago-padron.html describes the “Ponte de Santiago” as one “cuya fecha es de 1852” (whose date is from 1852), but follows that with a photo of a sign for “Ponte de Santiago,” apparently posted by this bridge, with text in Galego, Spanish and English. The English text [edited per Galego and Spanish] reads: “Saint Jame’s [sic!] Bridge – It had previously been a medieval bridge, reformed several times [over the centuries]. The current [one] dates from 1904 and is the work of the main [master] stonemason Juan Peón.” The red square in the top left corner of this sign is the same as on the sign for the Convento do Carme (see photo at 2:57 pm), which was posted by the Concello de Padrón and Junta de Galicia as part of a series “Monumentos de Padrón” as shown in the bottom left and top right corners of that sign, which are not included in the photo of the sign for the bridge.

At the far (north) end of the promenade was a monument to Rosalía de Castro.


2:38 PM – Padrón: Paseo de Espolón – monument to Rosalía de Castro.

Rosalía de Castro (1837-1885), born María Rosalía Rita de Castro, was a Galician romanticist writer and poet. Writing in Galego, the Galician language, she became an important figure of the Galician Romantic movement known today as the Rexurdimento (Renaissance). Although her own life was marked with relative poverty and sadness, she had a strong commitment to the poor and defenseless. She was a strong opponent of abuse of authority and an ardent defender of women’s rights. She died of cancer at age 40 in Padrón.


Statue of Rosalía de Castro in Padrón (commons.wikimedia.org).


As he emerged from the Paseo de Espolón, Don had a closer view of the Convento do Carme on the other side of the river.


2:41 PM – Padrón: Convento do Carme - facade (telephoto 156 mm).

Still on the east side of the river, he came to the Igreja de Santiago.


2:43 PM – Padrón: Igreja de Santiago – south side, bell tower, and main (east) façade.

However, according to a man in a bar across the street from the Santiago church, the churches were closed – Igreja de Santiago until 4:30 or 5 pm and the Convento until 7:30.

A few blocks east of the church, on the Praza de Ramón Toxo square, was the Alfoli do Sal.


2:52 PM – Padrón: Alfoli do Sal, now with sign for “Cafetería Bocatería Alfoli” (Coffee Shop, Sandwich Shop Alfoli).

The 12th-century Alfoli do Sal (Storehouse of Salt) is in the historic old town district of Padrón.  It currently houses a cafetería (coffee shop) and a zapatería (shoe store). One of the oldest and most emblematic buildings of Padrón, it was elegantly restored in the early 21st century.


2:52 PM (Cropped) – Padrón: Alfoli do Sal – two signs for “Cafetería Bocatería Alfoli” (Coffee Shop, Sandwich Shop Alfoli); on the corner to the right of the door is a weathered sign for “Plaza de Ramón Tojo,” and around the corner to the left is a small sign for “Rúa Real” (Royal Street) with the coat of arms of Padrón.

Also in the Praza de Ramón Toxo, in front of the Alfoli do Sal, was a cruceiro.


2:53 PM – Padrón: cruceiro in square in front of Alfoli do Sal - front side with Crucified Christ at top and other figures on shaft.

This cruceiro was installed here in the 1990s on the occasion of the Arte-Mostra Santiaguiño do Monte exhibition. It was intended to be displayed here for only 8 days. However, the people of Padrón asked that it remain here permanently. It is an original work of the master stoneworker Castelo from the nearby village of A Picaraña and has Jacobean (Santiago) motifs carved into the rough stone at its base.


2:53 PM (Cropped) – Padrón: cruceiro in square in front of Alfoli do Sal – Jacobean motifs carved in rough stone base on front side.



2:53 PM – Padrón: cruceiro in square in front of Alfoli do Sal - back side with Virgin and Child at top, with small (former?) chapel at right with street name “Calle de Juan Rodriguez” on its corner.

Also facing the Praza de Ramón Toxo, at the corner of Rúa Real and Calle de Juan Rodriguez, was an old building with arched windows, an oculus (small round window) in the pediment, and a small bell gable above the pediment. It looked like a (former?) chapel, although it faced east (however, so do the Convento do Carme and the Igrexa de Santiago of Padrón).


‎2016, 2:53 PM – Padrón: small (former?) chapel at right with street name “Calle de Juan Rodriguez” on corner to right.

This chapel was not identified in Brierley’s guidebook or most Internet sources. However, commons.wikimedia.org does include a photo of it (titled only “Padrón Galicia”) under the category “Churches in Padrón” or titled “Igrexa de Pedrón” under the category “Galería de imaxes de Padrón.” When used in the es.wikipedia.org page on Padrón, this photo is identified as “Capilla de la Orden Terciaria en honor a San Antonio” (Chapel of the Third Order in honor of St. Anthony).


Padrón: Capilla de la Orden Terciaria en honor a San Antonio , with Alfoli do Sal at left (es.wikipedia.org).

There is a Third Order of the Franciscans, known to be present in Compostela as early as the 14th century (as Tercera Orden Franciscana), and St. Anthony was a Franciscan.

From there, Don went back to the Ponte do Carme (or Ponte de Santiago) and crossed over the Río Sar. At the far (west) end of the bridge was the Fonte do Carme, and on the hill behind it was the Convento do Carme.


2:56 PM – Padrón: Fonte do Carme and on the hill behind it the Convento do Carme.



2:56 PM – Padrón: Fonte do Carme; on its left side is a sign (in Spanish) for “Fuente del Carmen” (mild telephoto 56 mm).

At the west end of the Ponte do Carme (or Santiago), a few meters away from the Convento do Carme is a fountain called Fonte do Carme (Fuente del Carmen in Spanish, Fountain of Carmel). The fountain was built in 1577 and reconstructed at the end of the 18th century (1789). According to tradition, its natural waters miraculously flowed when the Apostle Santiago struck the stone three times with his staff.
The fountain, of granite masonry, consists of three bodies topped by a triangular pediment with an oculus (round window). The corners of the pediment and the central body are decorated with balls.

In a niche in the upper body is a statue of the baptism of Queen Lupa by the Apostle Santiago.


Padrón: Fonte do Carme – upper body with statue of the baptism of Queen Lupa by the Apostle Santiago (commons.wikimedia.org).

Actually, according to tradition, Queen Lupa was a Celtic pagan converted to Christianity in the time when the remains of the Apostle Santiago were transported to Compostela. Iria Flavia (now Padrón), where the boat with the Apostle’s body landed, was in her domain, since she ruled the Roman region of Finisterra. The Apostle’s disciples Theodore and Athanasius went to the fortress of Queen Lupa seeking her help in finding a place of burial. Instead, she mistrusted hem and sent them to the pagan high priest Regulus (or, according to other versions of the story, not wishing to aggravate the Romans, to whom she owed allegiance, sent them to the local Roman legate in the town of Dugium or Duio, the Roman headquarters in Finisterra; other versions say she sent them to King Duyos, an enemy of Christians), who had them imprisoned. Miraculously, they managed to escape. Regulus sent troops in pursuit of the escapees, but when they were crossing the river Tambre, the bridge collapsed and the pursuers were drowned, while the disciples had passed safely over it. In the meantime, Queen Lupa had ordered her soldiers to move the body of the Apostle. However, when the soldiers prepared to move it, the corpse rose through the air and went by itself to the top of Mount Ilianus (now Pico Sacra or Pico Sacro [Sacred Peak]). Then the disciples returned to the queen to ask for a cart and some oxen to transport the remains. She sent them to look for oxen on Mount Ilianus, where the oxen were wild, and the disciples miraculously managed to domesticate them by making the sign of the cross and praying. It was only after all these miracles that the Queen converted to Christianity, was baptized, and offered them her palace for burial, but the disciples prefer another place. Preferring to let divine signs determine the place, they let the oxen roam with the cart at will. They stopped in a field in the forest of Libredón, where there was a building belonging to Queen Lupa. The queen donated this site to the burial place of the Apostle Santiago, where years later the great cathedral and the metropolis of Santiago de Compostela would be built.


Padrón: Fonte do Carme – translatio of St. James (commons.wikimedia.org).

In the central body, just below the statue of Queen Lupa and Santiago, is a relief depicting the translatio, the transfer of the body of St. James from Jerusalem back to Spain. It shows the two disciples and the body of the Apostle in the boat moored to the pedrón. The figure near the Apostle’s head may be the angel who had guided the boat to this place. Above the boat are a cross and a star, flanked by two scallop shells (as on the coat of arms of the Municipality of Padrón).

In the lower body is an alcove with a statue of the Virgen de los Dolores (Virgin of the Sorrows) or Virxe do Carme (Virgin of Carmel). On the arch protecting this image, and continuing around to the left and to the right, is the inscription: “Reedifico se esta fuente reinando el Sor [Señor] D[on] Carlos IIII. Siendo Alcalde D[on] Joaquín Foxi Bendaña.” This inscription informs the viewer that the fountain was rebuilt during the reign of Carlos IIII [IV], Joaquín Foxi Bendaña being mayor. Carlos IV was king of Spain from 1788 to 1808.
Don’s photos and most others miss the first three (faint) words of the inscription, which  begin to the left of the arch.


Padrón: Fonte do Carme – lower body– visible on the arch of the lower body is the inscription “Reedifico se esta fuente reinando el Sor [Señor] D[on] Carlos IIII. Siendo Alcalde D[on] Joaquin Foxi Bendaña” (commons.wikimedia.org Cropped).



Padrón: Fonte do Carme – statue of Virgen de los Dolores (or Virxe do Carme)  (commons.wikimedia.org).

Inside the alcove is the statue of the Virgen de los Dolores (Virgin of the Sorrows) or Virxe do Carme (Virgin of Carmel), before whom pregnant women come to ask for a happy birth, lighting a candle. To the right of the statue is a notice that the illustrious Don Manuel de Sanlúcar, Bishop of Sidonia, granted 40 days of indulgences to all those who devoutly prayed a Salve (Salve Maria, Hail Holy Queen prayer) in front of this image.


Behind the fountain, on a rocky outcrop, is the Convento do Carme (Convent of Carmel).


2:57 PM – Padrón: Sign, at foot of steps, for “Convento do Carme” with the location of the convent shown in red on the map and text in Galego, Spanish, and English; English text [edited per Galego and Spanish] reads:
“CARME CONVENT
1737-1744 built [Constructed between 1737 and 1744] thanks to the donations given by the Marquis [both Galego and Spanish say “Marquesa”] of Bendaña, [by] the Count of St. John [Galego and Spanish say Conde de San Xoán/San Juan] ant [sic! = and] the parishioners of St. Jame’s [sic!] Parish Church of Padron. It was inaugurated on July 16th, 1752, and it was inhabited by the Carmelitan Fathers until [the desmortización (confiscation) of] 1836. Since then [after that date], the Dominican Fathers settled there.”

Then Don started up the steps to the atrium platform in front of the Convent’s façade


2:58 PM – Padrón: Convento do Carme – steps leading up to façade and entrance to atrium platform.

The Convento do Carme, located at the foot of Monte San Gregorio, is accessed by stairs carved in rock leading up to a wide and elevated atrium in front of the façade. Due to its privileged location, the atrium platform, which is open to the public, is an excellent overlook offering views over the town of Padrón and the region of O Sar.

Along the steps, there was a cruceiro.


2:59 PM – Padrón: Convento do Carme – cruceiro (side with Crucified Christ at top) along steps leading up to façade (mild telephoto 56 mm).



2:59 PM – Padrón: Convento do Carme – cruceiro (side with Virgin and Child at top), viewed from atrium platform at top of steps.



3:00 PM – Padrón: Convento do Carme – view from atrium platform back across Ponte do Carme/Santiago to western (apse) end of Igrexa de Santiago (telephoto 105 mm).



3:00 PM – Padrón: Convento do Carme – façade from atrium platform.

After crossing the Ponte de Santiago bridge over the Río Sar, one comes to the Convento do Carme (Convent of Carmel), a good example of the Galician Neoclassical style. The building was constructed in the early 18th century on top of a promontory of living rock. Made in granite, the exterior is of great simplicity and pure lines that give the convent a massive appearance.
Alonso de la Peña y Montenegro (1596-1687), Rector of the University of Santiago and later Bishop of Quito (Peru), who was born in Padrón, proposed that a convent be built in Padrón, for which he donated 200,000 pesetas of his fortune. In 1715, the Carmelite order approved the foundation of the convent, and the first stone was laid in 1719. Two Carmelite fathers began works on land donated by the Marquise de Parga on the condition that she be buried in the church. In 1734, the Carmelite community was established. The main work of the construction seems to have occurred between 1737 and 1744, although the works continued until 1762.
The Convento was originally dedicated to San José (St. Joseph), whose statue is on the main altar. It was inaugurated in 1752, belonging to the religious community of the Carmelitas Descalças (Discalced Carmelites, Barefoot Carmelites). During the secularization and exclaustration of 1835 and 1836, the convent passed to the State.* In 1849, it was claimed by the Council of the Municipality of Padron and was used as a courthouse, storage for salt, and a theater; the church was closed. Then, after the secularization process, it passed to the Dominicans, who presented a petition in 1866 to convert the convent into a college. The Dominican community occupied the convent until the early 1980s, when the building’s poor state of repair and limited economic resources forced them to move, leaving one Dominican in charge, who normally celebrates mass and supervises the restoration work being carried out since 1992 by trade schools with subsidies from several public institutions.
*On July 25, 1835, Spain’s Council of Ministers approved the Royal Order of Ecclesiastical Exclaustration (removal from cloisters), which abolished convents in which there were not at least 12 professed religious. The Desmortización de Mendrizábal (Confiscation of Mendrizábal) began after Juan Alvarez Mendrizábal became president of the Council of Ministers in September 1835. Issued on October 11, 1835, it abolished all monasteries of monastic and military orders. On February 19, 1836, the sale of the real estate of those monasteries was decreed, and on March 8, the suppression was extended to all the monasteries and congregations of men. (The Spanish and Galego term convento can mean either a convent [for nuns] or a monastery [for monks]).



Padrón: Convento do Carme – façade with railing of atrium (commons.wikimedia.org).

The most interesting part of the convent is its imposing façade, with a central body flanked by two other bodies that would have been the bell towers that could never be built. The façade has a very wide portal of three arches on pilasters. In a niche above the central arch is a stone image of San José (St. Joseph), between two shields with coats of arms. (Some sources, apparently misled by the current name of the convent and not knowing that it was originally dedicated to San José, erroneously describe this statue as the image of the Virxe do Carme [Virgin of Carmel]).


3:01 PM – Padrón: Convento do Carme – statue of San José (St. Joseph) in niche between two coats of arms on façade; this photo clearly shows St. Joseph, with a beard, holding the Child Jesus (mild telephoto 81 mm).

The façade is topped with a triangular pediment with an oculus (round window). Crowning the pediment are three small columns, the center one with a cross. On the sides of the façade are two tall and striking bell gables, each with a flat belfry with two windows for bells (those on the right are empty).

Since the church was not open at this time, Don went back down the steps to the Ponte do Carme (or Ponte de Santiago).


3:03 PM – Padrón: Convento do Carme – view back up steps, past the cruceiro, to the atrium platform and façade.



3:05 PM – Padrón: Ponte do Carme with Igrexa de Santiago across river.



3:05 PM – Padrón: monument with old cart near west end of Ponte do Carme; in background are Ponte do Carme with Igrexa de Santiago across river.

This is the Monumento ao carro galego (Monument to the Galician Cart). The Galician cart is a type of animal-drawn vehicle typical of the Galician people. It is normally drawn by oxen, cows, horses, or mules. It is provided with poles (stanchions) to secure the load, plus a frame of wooden tables and slats, over the wheels, to carry the load. This type of cart has been used in Galicia since the Bronze Age. The word carro is of Celtic origin.
It is so important and different from others that it deserves its own article in the vernacular Wikipedia and various monuments scattered throughout the region. This one is located between the parking spaces of the Plazuela de la Lena, next to the Río Sar. The author of the sculpture is unknown.
The referenced article on “Carro galego” in the Galego (Galician-language) Wikipedia is at https://gl.wikipedia.org/wiki/Carro_galego. 

Then Don headed back toward the Hotel Pazo de Lestrove.


3:14 PM – Padrón: view, through haze, of back side of Hotel Pazo de Lestrove, from near the pasarela (pedestrian bridge) across the river (telephoto 187 mm).



3:18 PM – Padrón: part of the stone wall around the gardens of Hotel Pazo de Lestrove; we had to go as far as the corner (at right) and then turn left to get to the entrance to the hotel.



3:20 PM – Padrón: view toward Convento do Carme, from that corner (mild telephoto 63 mm).

Once Don was back at Hotel Pazo de Lestrove, we both explored the Pazo, although there had just been a wedding and the photographer was taking photos outside in the front courtyard. Later, the wedding party and photographer moved back inside and then to the garden behind the hotel (for the reception). There, the photographer also used a drone with a camera for overhead shots.


3:23 PM – Hotel Pazo de Lestrove: sitting room (same as in photo at 2:21 pm, but from different angle) on our floor, with narrow hallway at right leading to our room (No. 102).



3:24 PM – Hotel Pazo de Lestrove: narrow hallway at right leading to our room (No. 102).



3:27 PM – Hotel Pazo de Lestrove: view from window in hallway by our room of photographer taking photos of bride and groom after wedding, on red carpet in courtyard by fountain with Santiago Peregrino; Capilla del Santo Ángel de la Guarda and hotel entrance at right.



MT 3:40 PM – Hotel Pazo de Lestrove: MT by window in hallway near our room.



MT 3:41 PM – Hotel Pazo de Lestrove: Don in chair in sitting room.



3:44 PM – Hotel Pazo de Lestrove: view from 1st (US 2nd) floor overlook (through one of 2 glass doors) of Capilla del Santo Ángel de la Guarda; in niche in wall at right is the statue of a (guardian) angel with a child.

On the main altar of the Capilla del Santo Ángel de la Guarda, according to Internet sources, is an impressive life-size carving of La Dolorosa (Lady of Sorrows). The priest we met in the chapel gave us holy cards for “Nosa Señora dos Aflixides” (Our Lady of the Afflicted) picturing this statue. Although we misplaced these holy cards, one Internet site has a photo of a holy card with this same statue identified, in Spanish, as “Nuestra Señora de los Afligidos que se venera en la Capilla del Santo Ángel de la Guarda del Palacio de Lestrove” (Our Lady of the Afflicted, who is venerated in the Chapel of the Holy Guardian Angel of the Palace of Lestrove).
The official web site of the Concello de Padrón lists “Capilla del Santo Ángel o de la Virgen de los Afligidos, Pazo de Lestrobe” and says that the Pazo de Lestrove “También se llama Pazo Ángel de la Guardia, ya es la advocación de la capilla” (is also called Pazo Ángel de la Guardia, since that is the name of the chapel).

Earlier, we had asked at the front desk if there would be a mass in the chapel that evening. We were told maybe at 6 or 7 pm and we could try at both times. Later, a different desk clerk unlocked the chapel so we could see the interior.


3:47 PM – Hotel Pazo de Lestrove: Capilla del Santo Ángel de la Guarda – view from rear of nave to main altar (the overlook from which we saw it earlier must have been above the large stone arch).



3:48 PM – Hotel Pazo de Lestrove: Capilla del Santo Ángel de la Guarda –main altar with statue we were told was Nosa Señora dos Aflixides.



MT Saturday, ‎September ‎24, ‎2016, 3:50 PM – Hotel Pazo de Lestrove: Capilla del Santo Ángel de la Guarda – statue of guardian angel with child.

Back outside the chapel, we revisited the fountain in the front courtyard.


3:51 PM – Hotel Pazo de Lestrove: fountain in courtyard with statue of Santiago Peregrino at top; Capilla del Santo Ángel de la Guarda at left, hotel entrance behind fountain, and red carpet from wedding still at right.



3:51 PM – Hotel Pazo de Lestrove: statue of Santiago Peregrino at top of fountain in courtyard (telephoto 93 mm).

Back inside the hotel, we explored the old building some more.


MT 4:06 PM – Hotel Pazo de Lestrove: Don by interior stone wall and display case.



MT 4:09 PM – Hotel Pazo de Lestrove: Don with corbel (stone bracket) by window in interior stone wall.



MT 4:13 PM – Hotel Pazo de Lestrove: small window, showing thickness of walls (mild telephoto 49 mm).

At about 4:45, the desk clerk called our room and said that there would be a mass in the chapel at 5 pm for a funeral that was the day before. There was a large crown in the small chapel; so we waited for everyone else to get inside before we entered. At first we stood at the back, but then people made room for us on the end of a bench by the right side wall.

After mass, we asked the young priest if he had a sello for pilgrims. He didn’t, but he looked in drawers near the altar and gave us a stack of holy cards (to give to our family) for Nosa Señora dos Aflixides (Our Lady of the Afflicted). He also said that this mass had been what is called a mass of accompaniment, for a woman whose funeral had been the previous day.

The hotel’s comedor (dining room) was open from 8:00 to 10:30 pm for dinner (there was no lunch). Around 6 pm, a light rain started, as we had expected since entering Padrón. However, the rain had stopped when Don checked out of our room’s (open, unscreened) window at 7:30, since the comedor was not in the main hotel building but on another side of the front courtyard.  However, it started again before 8 pm, heavier this time. When MT called the desk to ask if they had umbrellas, the clerk told her to wait until 8:30 to go to dinner, but they did have two umbrellas at the desk.

For “half board” with our lodging voucher, in the hotel’s comedor, we didn’t have all the choices we had seen on the €18 dinner menu posted at the hotel desk. For the first course, we had looked forward to trying the famous “Pimientos de Padrón/Padron green peppers” listed on the menu, and the waiter finally said we could have that. We asked for red wine and got 2 glasses (plus 2 more later, when we asked) and a large bottle of water. Before the first course, we got something that looked like Italian prosciutto and bread. Then we got the green peppers (pementos de Padrón in Galego), which were not too hot.


8:35 PM – Hotel Pazo de Lestrove dining room: pementos de Padrón, cooked with oil and large grains of salt.

The most famous produce of Padrón are its peppers (pementos de Padrón in Galego). These small green peppers are served fried in olive oil and coarse salt. Most taste sweet and mild, though some are particularly hot and spicy (Brierley’s guidebook says “only one in every 30 or so being chili-hot”—The added fun is you never know which one!”), which gives its character to the dish and is captured in the popular Galician saying: “Os pementos de Padrón, uns pican e outros non” (The peppers of Padrón, some are hot and some are not). These peppers are grown mostly in the parish of Hebrón, in the municipality of Padrón. Sometimes they are called pementos de Hebrón. The seeds were imported in the 16th century by Franciscan monks of Hebrón during their missionary work in Central and South America and were adapted to the local soil conditions. About 15,000 kg of peppers are grown in Padrón each year.


Raw Padrón peppers (commons.wikimedia.org).



Fried Padrón peppers (commons.wikimedia.org).


Then, the waiter brought us (as another first course) scallops—on the half shell with something like applesauce on them.


8:45 PM – Hotel Pazo de Lestrove dining room: Don’s scallop, as served.



MT 8:47 PM – Hotel Pazo de Lestrove dining room: MT’s scallop, as served.



8:49 PM – Hotel Pazo de Lestrove dining room: Don’s scallop shell, empty.



8:49 PM – Hotel Pazo de Lestrove dining room: Don’s scallop shell, other side (exterior).



MT 8:50 PM – Hotel Pazo de Lestrove dining room: MT’s scallop shell, other side (exterior).

Afterward, we thought we could have saved these pretty shells as souvenirs, but we hadn’t.
For the second course, we were given the choice between what the waiter called “sea bass a la plancha” and “veal hip” (the menu had listed “Rodaballo a la plancha/grilled turbot” [turbot is related to sea bass] and “Croca de ternera/Grilled hip veal”), and we chose the fish, which came with boiled potatoes.


8:53 PM – Hotel Pazo de Lestrove dining room: Don’s grilled sea bass and potatoes.

For dessert, there was no choice; we got a plate with one dip of ice cream and a chocolate brownie-like, with a strip of chocolate syrup down the middle.


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